Pair of Chairs Attributed to Carlo De Carli, Italy, Early 1950s


This refined pair of chairs, attributed to Carlo De Carli and dating to the early 1950s, perfectly embodies the organic elegance and design sensitivity that made post-war Italian design an international benchmark. Crafted from fine rosewood, with its rich grain and warm tones, the chairs express a formal research based on the balance between lightness, comfort, and exceptional craftsmanship.


The soft, harmonious lines of the structure are complemented by a newly upholstered covering in bright lemon-yellow cotton velvet, a choice that enhances the silhouette of the chairs while emphasizing their sophisticated and contemporary character, fully respecting the original spirit of the design.


A fundamental aspect of our work as gallerists is historical and attribution research. Many of the most interesting pieces of twentieth-century Italian design are not documented in well-known publications or easily accessible catalogues. Through the analysis of proportions, construction techniques, materials, formal details, and comparisons with archives, period documentation, and authenticated works, we carry out continuous research aimed at restoring identity and context to objects that have often been overlooked by official design history. We believe this process is an essential part of the gallerist’s role, contributing not only to the appreciation of individual pieces but also to a broader and more accurate understanding of design history.


Like all the furniture in our twentieth-century design collection, these chairs have undergone a meticulous restoration process. The internal padding has been completely rebuilt and the upholstery entirely renewed to ensure maximum comfort and perfect everyday usability. We do not consider restoration merely a conservation practice, but rather a process intended to fully restore the original function of the object.


For this reason, we work exclusively with natural fibers, avoiding synthetic materials and giving preference to cotton, appreciated for its breathability, durability, and tactile quality. Every intervention is carried out with respect for the proportions, construction methods, and aesthetic identity of the original design.


The result is a pair of chairs that preserves all the charm of 1950s Italian design while offering the comfort, quality, and reliability required for contemporary living. They stand as an example of how research, conservation, and restoration can work together to preserve and enhance the legacy of twentieth-century design.


 

Item nr. 26097

Pair of chairs made of rosewood and lemon-yellow velvet

Designer

ProductionItaly 1950 Approx

Dimension46 x 48 x Seating HT 46 x Total HT 83 cm

MaterialRosewood | upholstery | lemon-yellow cotton velvet by Redaelli Marzotto Group

two-chairs-made-of-rosewood-and-lemon-yellow-velvet

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Pair of Chairs Attributed to Carlo De Carli, Italy, Early 1950s


This refined pair of chairs, attributed to Carlo De Carli and dating to the early 1950s, perfectly embodies the organic elegance and design sensitivity that made post-war Italian design an international benchmark. Crafted from fine rosewood, with its rich grain and warm tones, the chairs express a formal research based on the balance between lightness, comfort, and exceptional craftsmanship.


The soft, harmonious lines of the structure are complemented by a newly upholstered covering in bright lemon-yellow cotton velvet, a choice that enhances the silhouette of the chairs while emphasizing their sophisticated and contemporary character, fully respecting the original spirit of the design.


A fundamental aspect of our work as gallerists is historical and attribution research. Many of the most interesting pieces of twentieth-century Italian design are not documented in well-known publications or easily accessible catalogues. Through the analysis of proportions, construction techniques, materials, formal details, and comparisons with archives, period documentation, and authenticated works, we carry out continuous research aimed at restoring identity and context to objects that have often been overlooked by official design history. We believe this process is an essential part of the gallerist’s role, contributing not only to the appreciation of individual pieces but also to a broader and more accurate understanding of design history.


Like all the furniture in our twentieth-century design collection, these chairs have undergone a meticulous restoration process. The internal padding has been completely rebuilt and the upholstery entirely renewed to ensure maximum comfort and perfect everyday usability. We do not consider restoration merely a conservation practice, but rather a process intended to fully restore the original function of the object.


For this reason, we work exclusively with natural fibers, avoiding synthetic materials and giving preference to cotton, appreciated for its breathability, durability, and tactile quality. Every intervention is carried out with respect for the proportions, construction methods, and aesthetic identity of the original design.


The result is a pair of chairs that preserves all the charm of 1950s Italian design while offering the comfort, quality, and reliability required for contemporary living. They stand as an example of how research, conservation, and restoration can work together to preserve and enhance the legacy of twentieth-century design.


 

Description

Pair of Chairs Attributed to Carlo De Carli, Italy, Early 1950s

This refined pair of chairs, attributed to Carlo De Carli and dating to the early 1950s, perfectly embodies the organic elegance and design sensitivity that made post-war Italian design an international benchmark. Crafted from fine rosewood, with its rich grain and warm tones, the chairs express a formal research based on the balance between lightness, comfort, and exceptional craftsmanship.

The soft, harmonious lines of the structure are complemented by a newly upholstered covering in bright lemon-yellow cotton velvet, a choice that enhances the silhouette of the chairs while emphasizing their sophisticated and contemporary character, fully respecting the original spirit of the design.

A fundamental aspect of our work as gallerists is historical and attribution research. Many of the most interesting pieces of twentieth-century Italian design are not documented in well-known publications or easily accessible catalogues. Through the analysis of proportions, construction techniques, materials, formal details, and comparisons with archives, period documentation, and authenticated works, we carry out continuous research aimed at restoring identity and context to objects that have often been overlooked by official design history. We believe this process is an essential part of the gallerist’s role, contributing not only to the appreciation of individual pieces but also to a broader and more accurate understanding of design history.

Like all the furniture in our twentieth-century design collection, these chairs have undergone a meticulous restoration process. The internal padding has been completely rebuilt and the upholstery entirely renewed to ensure maximum comfort and perfect everyday usability. We do not consider restoration merely a conservation practice, but rather a process intended to fully restore the original function of the object.

For this reason, we work exclusively with natural fibers, avoiding synthetic materials and giving preference to cotton, appreciated for its breathability, durability, and tactile quality. Every intervention is carried out with respect for the proportions, construction methods, and aesthetic identity of the original design.

The result is a pair of chairs that preserves all the charm of 1950s Italian design while offering the comfort, quality, and reliability required for contemporary living. They stand as an example of how research, conservation, and restoration can work together to preserve and enhance the legacy of twentieth-century design.

 

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